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The Lost Fasti: Festum Fortunae Reducis September 27th

Ethereal illustration of a Roman woman offering frankincense to the Goddess Fortuna under a stone arch as ships sail toward home.

The Altar of the Safe Return

I. The New Stone at the Gate

Now September wanes,
and near the damp arch of the Porta Capena,
the sound of the mallet on stone echoes against the city walls.

The summer was long,
and word arrived from the Eastern seas
that Caesar turns his face toward the Tiber.

Where the roads meet,
the city anchors its hope in stone.
Here, where the Appian Way brings the dusty world into Rome,
the Senate has marked a new sacred boundary.

They build no soaring temple with golden pediments today,
but set a single, noble altar:
Ara Fortunae Reducis.
She who turns the wheel home,
She who counts the footsteps of the wanderer and guides them back to the hearth.

I walked down toward the stone arches near the river,
where the scent of dry laurel leaf and bruised sweet-clover carries on the morning air.
The city stirs with travelers setting down their packs,
their sandals worn thin from long journeys through distant provinces.

At the threshold of September’s close,
this day is set aside not for the grand trumpets of the Circus,
but for the quiet flame that waits by the gate.

II. Ovid Questions the Goddess

I paused before Her small, stone altar,
where the embers of morning coals were already glowing white.
I observed the craftsmen, delighting in their labors,
as the first wreaths of bay laurel were bound about the marble inscriptions.

“Goddess of the Turning Wheel,” I asked,
as the light caught the curve of Her marble mantle, warming the smooth stone,

“Why build your altar here,
before the traveler has even crossed the threshold?
Why measure the return while the ship is still at sea,
and why do you hold the rudder when your back is turned toward the road?”

She did not appear in a flash of lightning,
nor answer with the thunder of Jove,
but emerged from the quiet shadow cast by the Capena arch,
like the steady, quiet rustle of olive leaves in the autumn wind.

Her voice was like water flowing into a clean vessel,
or the steady rhythm of oars dipping into calm water:

“The world is full of wide paths, poet,
and men are eager to test their strength against the sea and the mountain.
But the sea does not know their names,
and the mountain does not care if they sleep.

I am the hand that holds the helm when the stars are hidden by clouds.
I am not the departure;
I am the return.
I am the door that opens when the journey is done.

A journey is not finished when the feet touch the shore;
it is finished when the heart knows it is safe.
Today, the decree is carved, and my altar is named.
In October, the crowd will shout and the red banners will fly for Caesar’s triumph.

In dark December, my hearth will open wide for every humble citizen
who seeks a safe return for their kin.
But today belongs to the foundation.
Today, I stand at the gate and wait.”

III. The Pure Offering

As Pythagoras taught,
the Gods take pleasure in offerings that are sweet and born of the garden.
The Senate offers solemn vows,
but the Goddess demands only what is pure, gentle, and unblemished.

Golden Frankincense:
A single tear of unblemished resin (Boswellia),
placed upon the small bronze burner,
rising in a sweet, white column of fragrant smoke toward the blue sky. 

Pure Spring Water:
Poured slowly from a terracotta vessel onto the base of the altar,
purifying the threshold,
and honoring the thirst of the weary traveler.

Evergreen Laurel:
Cut fresh from the Palatine slopes,
laid upon the cold marble to await the coming autumn procession,
and to symbolize the life that endures across every season.

IV. The Threshold of the Present

For those who have wandered far,
walking the long, sun-baked roads of the provinces,
navigating the oceans
or bearing the quiet, daily burdens of business and household,
today the road brings you home.

Pause at the threshold,
set down the weight of the journey, and breathe the incense.
Remember the lesson of the Capena Gate:
The altar is set before the journey ends.

The fragrant smoke rises,
the water is clear, and the wheel is turning.
The Goddess of Safe Return stands at the guarded door,
and so your passage home is secured.

VSLM — Votum Solvit Libens Merito.

(Fulfilled the vow gladly and deservedly.)


Written & curated by E. Sylvia in collaboration with AI: original poetic interpretations inspired by the lost autumn calendar of Ovid's Fasti.

© 2026 E. Sylvia. All rights reserved. No part of this text may be reproduced or transmitted without written permission from the author.

The Fasti of Fortuna: Fors Fortuna June 24

Garland-draped skiffs and joyous revellers celebrate on the Tiber during the Fors Fortuna festival. Torches light the way at sunset in Rome.

The Festival of Fors Fortuna on the Tiber River

I. The Passage of Time & The Festival Day

Time glides softly away, and we grow old in quiet, passing years;
the days flee onward, with nothing to restrain them.
How swiftly the sacred honors of Fors Fortuna have arrived!
After seven more suns, June will have run its full course.

II. The Pilgrimage to the River

Go forth with glad hearts, people, and celebrate the Mighty Goddess:
upon the banks of the Tiber, She holds the monuments of a King.

III. Joyful Revels and Flower-Adorned Boats

Some walk quickly, while others travel in swift boats—
there is no shame in returning home after drinking there!
Carry your flower-crowned banquets of youth, ye skiffs,
and let abundant wine be drunk across the flowing waters.

IV. The Goddess of the People

The common folk adore Her, for the founder was believed to be a commoner
who rose from his humble origins to bear the royal scepter.
Her rites belong to the servant as well, for Tullius, born of a servant woman,
established these nearby temples dedicated to the Goddess Who Changes Fate.


The Original Latin Text (Ovid, Fasti VI.771–784)

I. (Ovid, Fasti VI. 771–774)

Tempora labuntur, tacitisque senescimus annis,
et fugiunt freno non remorante dies.
Quam cito venerunt Fortunae Fortis honores!
post septem luces Iunius actus erit.

II. (Ovid, Fasti VI. 775–776)

Ite, deam laeti Fortem celebrate, Quirites:
in Tiberis ripa munera regis habet.

III. (Ovid, Fasti VI. 777–780)

Pars pede, pars etiam celeri decurrite cumba,
nec pudeat potos inde redire domum.
Ferte coronatae iuvenum convivia, lintres,
multaque per medias vina bibantur aquas.

IV. (Ovid, Fasti VI. 781–784)

Plebs colit hanc, quia qui posuit de plebe fuisse
fertur, et ex humili sceptra tulisse loco.
Convenit et servis, serva quia Tullius ortus
constituit dubiae templa propinqua deae.

Book 6 of Ovid's Fasti (lines 771–784) on the day of the Festival of Fors Fortuna (June 24).

Translated & curated by E. Sylvia in collaboration with AI: original poetic interpretations of selections from Ovid's Fasti.

© 2026 E. Sylvia. All rights reserved. No part of this text may be reproduced or transmitted without written permission from the author.

The Fasti of Fortuna: Fortuna Virginalis June 11

Veiled statue in a marble cella behind an altar with grain cakes; a lighted torch flickers in a high window above.

The Festivals of the Matralia and Fortuna Virginalis

I. The Setting & Offerings

Go forth, noble matrons (the Matralia is your feast),
and render golden toasted cakes to the Theban goddess.

Joined to the bridges and the Great Circus lies that most bustling plain,
which takes its name from the statue of the bull
(the Forum Boarium).

On this day, they say the sceptre-bearing hands of Servius
dedicated the sacred temple to Mother Matuta.

Who this goddess is—and why she bars serving-women from her threshold
(for barred they are) yet seeks toasted offering cakes—
Bacchus, your berry-laden hair bound in ivy,
if that house is truly yours, guide the poet's work.

II. The Origin of the Offering Cakes

Rumor, swift on her beating wings, flies through the city,
and your name is on every tongue, Ino.
(Mater Matuta's mortal incarnation)

They say you entered the faithful hearth as a guest of Carmentis,
(Priestess-Goddess of prophecy)
you were there to end your long and bitter hunger.

With her own hurried hands, the Arcadian priestess
is said to have baked cakes over a sudden flame and offered them.

Even now, these simple cakes delight Her on the festive Matralia;
for rustic devotion was far more pleasing than artifice.

III. The Shrouded Statue & Divine Devotion

The same day is yours, Fortuna! Yours the author, yours the shrine—
but who is this figure hidden beneath draped robes?

It is Servius—on this all agree—yet the reason for his veil
is disputed, leaving my own mind in lingering doubt.

While the Goddess timidly confessed her secret, hidden love,
feeling shame that a heavenly deity should sleep with a mortal man
(for she burned, seized by a vast passion for the King,
and toward this one man alone, Fortuna was never blind)

By night she used to enter his home through a small window,
from which the Porta Fenestella takes its name.

Now she feels shame, and hides his beloved face behind a veil,
and the King's features are covered under many folded robes.

Or is this story truer? That after the death of Tullius,
the people were overwhelmed with sorrow for their gentle leader;
and there was no end to their grief, which kept growing at his image,
until they covered him over, laying down these robes?

IV. The Voice of Fortuna & The Sacred Veil

There stood a statue seated on a throne, made in the likeness of Tullius.

Covered in a woven robe, Fortuna forbade this cloak to be moved,
and from her own temple, the Goddess herself spoke these words:

"On the day when Servius's face is first uncovered and revealed,
that day will mark the first loss of modesty."

Refrain, matrons, from touching these forbidden garments
(it is enough to offer solemn prayers with your voice),
and let his head remain forever covered in Roman robes—
he who was the seventh king in our city.

V. The Miracle of Vulcan's Flame

This temple once burned in a grand fire, yet the flames spared his image;
the god of the forge and fire, himself, brought aid to his own son.

For Vulcan was the father of Tullius, and his mother was Ocresia,
a noble woman of Corniculum, renowned for her beauty.

Queen Consort Tanaquil, when the customary rites were completed,
bade Ocresia pour offerings of wine onto the adorned hearth.
There, among the glowing ashes, a miraculous shape arose—
whether real or imagined, it was a manifestation of divine spark.

Bidden to sit by the hearth, the noble captive woman conceived,
and Servius, born from her, carried heavenly seeds into the Roman line.

His father gave a sure sign when he touched the child's head with bright fire,
and a crown of flame blazed softly in his hair without harm.


The Original Latin Text (Ovid, Fasti VI.475–484, 527-534, 569-584, 613, 617-636)

I. (Ovid, Fasti VI. 475–484)

Ite, bonae matres (vestrum Matralia festum),
flavaque Thebanae reddite liba deae.

Pontibus et magno iuncta est celeberrima Circo
area, quae posito de bove nomen habet.

Hac ibi luce ferunt Matutae sacra parenti
sceptriferas Servi templa dedisse manus.

Quae dea sit, quare famulas a limine templi
arceat (arcet enim) libaque tosta petat,
Bacche racemiferos hedera distincte capillos,
si domus illa tua est, derige vatis opus.

II. (Ovid, Fasti VI. 527-534)

Rumor, ut est velox, agitatis pervolat alis,
estque frequens, Ino, nomen in ore tuum.

Hospita Carmentis fidos intrasse penates
diceris et longam deposuisse famem.

Liba sua properata manu Tegeaea sacerdos
traditur in subito cocta dedisse foco.

Nunc quoque liba iuvant festis Matralibus illam;
rustica sedulitas gratior arte fuit.

III. (Ovid, Fasti VI. 569–584)

Lux eadem, Fortuna, tua est, auctorque locusque;
sed superiniectis quis latet iste togis?

Servius est, hoc constat enim: sed causa latendi
discrepat, et dubium me quoque mentis habet.

Dum dea furtivos timide profitetur amores,
caelestemque homini concubuisse pudet
(arsit enim magno correpta cupidine regis,
caecaque in hoc uno non fuit illa viro),

Nocte domum parva solita est intrare fenestra,
unde Fenestellae nomina porta tenet.

Nunc pudet, et voltus velamine celat amatos,
oraque sunt multa regia tecta toga.

An magis est verum post Tulli funera plebem
confusam placidi morte fuisse ducis:
nec modus ullus erat, crescebat imagine luctus,
donec eum positis occuluere togis?

IV. (Ovid, Fasti VI. 613, 617–624)

Signum erat in solio residens sub imagine Tulli;

Veste data tegitur; vetat hanc Fortuna moveri,
et sic e templo est ipsa locuta suo:

'Ore revelato qua primum luce patebit
Servius, haec positi prima pudoris erit.'

Parcite, matronae, vetitas attingere vestes
(sollemni satis est voce movere preces),

Sitque caput semper Romano tectus amictu
qui rex in nostra septimus urbe fuit.

V. (Ovid, Fasti VI. 625–636)

Arserat hoc templum: signo tamen ille pepercit
ignis; opem nato Mulciber ipse tulit.

Namque pater Tulli Volcanus, Ocresia mater
praesignis facie Corniculana fuit.

Hanc secum Tanaquil, sacris de more peractis,
iussit in ornatum fundere vina focum:
hinc inter cineres obsceni forma virilis
aut fuit aut visa est, sed fuit illa magis.

Iussa foco captiva sedet: conceptus ab illa
Servius a caelo semina gentis habet.

Signa dedit genitor tunc cum caput igne corusco
contigit, inque comis flammeus arsit apex.

Book 6 of Ovid's Fasti (lines 475–484, 527-534, 569-584, 613, 617-636) on the day of the Festivals of the Matralia and Fortuna Virginalis (June 11).

Translated & curated by E. Sylvia in collaboration with AI: original poetic interpretations of selections from Ovid's Fasti.

© 2026 E. Sylvia. All rights reserved. No part of this text may be reproduced or transmitted without written permission from the author.

The Fasti of Fortuna: The Eve of Fortuna Virginalis June 10

Roman bakery on June 10. Matrons bake offering cakes, maidens wear purple trimmed togas, and the millstone grinds grain. Two donkeys are nearby.

Before the Festival

The Grain of Ceres

But as soon as the floral wreaths are untied from the long-eared donkeys,
(adorned for Vesta's festival of the day before),
and the rough millstones turn once more to grind the grain of Ceres,
(to be made into offering cakes for tomorrow's festival)

A sailor, resting at the stern, calls out: "We shall behold the Dolphin,"
(constellation rising in the evening sky),
"when dewy night ascends to drive away the day."


The Original Latin Text (Ovid, Fasti VI.468–471)

At simul auritis violae demuntur asellis,
et Cereris fruges aspera saxa terunt,
navita puppe sedens 'Delphina videbimus', inquit
'umida cum pulso nox erit orta die.

Book 6 of Ovid's Fasti (lines 468–471) on the eve of the Festival of Fortuna Virginalis (June 10).

Translated & curated by E. Sylvia in collaboration with AI: original poetic interpretations of selections from Ovid's Fasti.

© 2026 E. Sylvia. All rights reserved. No part of this text may be reproduced or transmitted without written permission from the author.

The Fasti of Fortuna: Fortuna Publica May 25

Three Ionic temples on the Quirinal at night; a central stair ascends to Fortuna Publica beneath a starry sky with hints of constellations.

Fortuna Publica Temples on the Quirinal Hill

Amphitrite Receives the Day

Nor do I pass you by, Fortuna Publica of a mighty people
(goddess of civic prosperity),
to whom a temple was given on the following day.

When Amphitrite, rich in waters, has received this day
(sea-goddess, with the sun setting into the ocean),
you will see the beak of the tawny bird dear to Jove
(Aquila, the Eagle constellation).

The coming Dawn will carry Bootes away from sight,
(the Plowman constellation)
and on the following day will be the star of Hyas
(star cluster of the Hyades rain-nymphs).


The Original Latin Text (Ovid, Fasti V.727–732)

Nec te praetereo, populi Fortuna potentis
publica, cui templum luce sequente datum est.
hanc ubi dives aquis acceperit Amphitrite,
grata Iovi fulvae rostra videbis avis.
auferet ex oculis veniens aurora Booten,
continuaque die sidus Hyantis erit.

Book 5 of Ovid's Fasti (lines 727–732) during the dedication anniversary of the Temples of Fortuna Publica (May 25)

Translated & curated by E. Sylvia in collaboration with AI: original poetic interpretations of selections from Ovid's Fasti.

© 2026 E. Sylvia. All rights reserved. No part of this text may be reproduced or transmitted without written permission from the author.

Ritual with Fortuna and Lakshmi

Goddesses Fortuna (as Abundantia) and Lakshmi, image generated atEasy-Peasy.AI
Goddesses Fortuna (as Abundantia) and Lakshmi
Image generated at Easy-Peasy.AI


The Fasti of Fortuna: Fortuna Publica April 5

Three Ionic temples on the Quirinal at dawn; a central stair ascends to Fortuna Publica beneath the setting moon and horse-shaped clouds.

Fortuna Publica on the Quirinal Hill

Aurora Brings a New Day

When the dawn, daughter of Pallas, shines as the stars move through the sky,
and the Moon has released her snow-white horses,
whoever says, "On this day long ago, Fortuna Publica
was once consecrated on the Quirinal Hill," will speak the truth.


The Original Latin Text (Ovid, Fasti IV.373–376)

Postera cum caelo motis Pallantias astris
fulserit, et niveos Luna levarit equos,
qui dicet 'quondam sacrata est colle Quirini
hac Fortuna die Publica', verus erit.

Book 4 of Ovid's Fasti (lines 373–376) during the observation of the Nones of April (April 5)

Translated & curated by E. Sylvia in collaboration with AI: original poetic interpretations of selections from Ovid's Fasti.

© 2026 E. Sylvia. All rights reserved. No part of this text may be reproduced or transmitted without written permission from the author.

The Fasti of Fortuna: Fortuna Virilis April 1

Roman public bath changing room with a stone arula (portable altar) in a wall niche, glowing coals, and rising frankincense smoke.

In the Changing Rooms of the Public Baths

Offering to Fortuna Virilis

Learn now why you offer frankincense to Fortuna Virilis
in that place where the floor is moist with cooling water.

That place receives every woman once her garments are set aside,
and beholds every flaw of the uncovered form.

That She may veil these flaws and hide them from the eyes of men,
Fortuna Virilis grants this protection;
asking only for a pinch of frankincense in quiet prayer.


The Original Latin Text (Ovid, Fasti IV.145–150)

Discite nunc, quare Fortunae tura Virili
detis eo, gelida qui locus umet aqua.

Accipit ille locus posito velamine
cunctas et vitium nudi corporis omne videt;

Ut tegat hoc celetque viros,
Fortuna Virilis praestat
et hoc parvo ture rogata facit.

Book 4 of Ovid's Fasti (lines 145–150) during the observation of the Kalends of April (April 1)

Translated & curated by E. Sylvia in collaboration with AI: original poetic interpretations of selections from Ovid's Fasti.

© 2026 E. Sylvia. All rights reserved. No part of this text may be reproduced or transmitted without written permission from the author.

The Fasti of Fortuna: Festum Fortunae January 1

Goddess Fortuna in green robes reaches toward a mountain temple as gold coins pour from her cornucopia.

A Conversation with Janus

Fortuna of Rome

But after the Fortuna of this place raised up Her head,
and Rome touched the highest gods with Her height,
both riches and the wild, frantic desire for riches grew;
and though they possess the greatest abundance, still they seek for more.


The Original Latin Text (Ovid, Fasti I.209–212)

At postquam fortuna loci caput extulit huius et tetigit summos vertice Roma deos,
creverunt et opes et opum furiosa cupido,
et, cum possideant plurima, plura petunt.

Book 1 of Ovid's Fasti (lines 209–212) during his dialogue with Janus on New Year’s Day (January 1)

Translated & curated by E. Sylvia in collaboration with AI: original poetic interpretations of selections from Ovid's Fasti.

© 2026 E. Sylvia. All rights reserved. No part of this text may be reproduced or transmitted without written permission from the author.